From Alan01 to AlanOnline - A study of the different characteristics of physical media installations and non-material art

This thesis is a study of the characteristics of the presentation media of artwork that can exist in physical and non-material form. Physical in this context refers to physical installations, and non-material is used to define artworks where the designer has little or no control over the presentation media, such as online artwork. I have chosen a set of characteristics, which I have found central to the topic, and my aim is to discover how such characteristics behave in practice. These key concepts are: technical aspects of the presentation media, human computer interaction, interface design, space, spatial narrative, collaborative experience, access, exhibition value, immersion, embodiment, real-world objects and metaphors. The set of characteristics is by no-means all-encompassing, but a selection that I have discovered through conversation with colleagues and professionals and through my personal research. It is also aimed to meet the requirements for the scopes of an MA thesis paper. The characteristics are discussed in reference to practical examples of artistic productions, and through my own work as a member of the production team that created the Alan01 installation and its non-material counterpart AlanOnline, which are used as a case study for this thesis

Guidelines for the Visual Design of Mobile Application Icons Based on Visual Properties

The design of the icon of a mobile application can have a major impact on its success, by attracting users’ attention and perhaps persuading them to install it on their devices. In the case of the continued use of an application, its icon also has an important role to play in terms of its recognition. In this paper, we take a qualitative approach in identifying different roles that the visual design properties of complexity, concreteness and familiarity play in contributing to the appeal and performance of an application icon during different phases of its use – from first exposure to assurance and continued use. We also discuss several theories which we consider relevant to this research, using case studies of the icons of three mobile applications. We then conclude by proposing that the design of an application icon should take into account the maturity level of the application, and the specific phases of its use for which its icon should be optimized.Peer reviewe